Free PDF To Kill a Mockingbird, by Harper Lee
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To Kill a Mockingbird, by Harper Lee
Free PDF To Kill a Mockingbird, by Harper Lee
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Featuring a new introduction by the author, this specially packaged, popularly priced hardcover edition of an American classic (with more than 30 million copies sold) celebrates the 35th anniversary of its original publication.
- Sales Rank: #980821 in Books
- Brand: Brand: Warner Books
- Published on: 1982-12-01
- Original language: English
- Number of items: 1
- Binding: Mass Market Paperback
- 284 pages
Features
- Used Book in Good Condition
Amazon.com Review
"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."
Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.
Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout's first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children's consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well--in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout's hard-won understanding that most people are essentially kind "when you really see them." By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often. --Alix Wilber
From Publishers Weekly
Starred Review. Lee's beloved American classics makes its belated debut on audio (after briefly being available in the 1990s for the blind and libraries through Books on Tape) with the kind of classy packaging that may spoil listeners for all other audiobooks. The two CD slipcases housing the 11 discs not only feature art mirroring Mary Schuck's cover design but also offers helpful track listings for each disk. Many viewers of the 1962 movie adaptation believe that Lee was the film's narrator, but it was actually an unbilled Kim Stanley who read a mere six passages and left an indelible impression. Competing with Stanley's memory, Spacek forges her own path to a victorious reading. Spacek reads with a slight Southern lilt and quiet authority. Told entirely from the perspective of young Scout Finch, there's no need for Spacek to create individual voices for various characters but she still invests them all with emotion. Lee's Pulitzer Prize–winning 1960 novel, which quietly stands as one of the most powerful statements of the Civil Rights movement, has been superbly brought to audio. Available as a Perennial paperback. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Spacek, with her lilting Southern accent, perfectly captures the voice of Scout, the young girl whose life is thrown into turmoil when her father, the upright and highly ethical lawyer Atticus Finch, takes on the defense of a black man accused of raping a white woman. Their sleepy Alabama town may never be the same and Spacek's exceptional pacing propels this Pulitzer Prize-winner-a staple of many high school reading lists-to its inexorable conclusion. The 1962 film, starring Gregory Peck (who won an Academy Award for his portrayal of Atticus Finch), was named to the National Film Registry by the Library of Congress in 1995.α(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Most helpful customer reviews
77 of 84 people found the following review helpful.
A true classic
By mrliteral
There used to be a time that the word "classic" meant something. Nowadays, it seems to only mean "more than ten years old"; quality doesn't come into the equation at all. Take, for example, the cable channel American Movie Classics, which typically features movies that are forgettable regardless of age. I prefer the classic definition of "classic", one that means something that is not only really good but withstands the test of time.
Put another way, look at the Da Vinci Code. A decent book and a phenomenal best-seller, but will people still be reading it decades from now? Only time will tell. Time, however, has already told on Harper Lee's To Kill a Mockingbird, and it is clearly, by any use of the word, a classic. Although forty-seven years old, it is still as good as ever.
Set in the town of Maycomb, Alabama during the Depression, To Kill a Mockingbird tells the tale of the Finch family: widower father Atticus, young son Jem and younger daughter (and narrator) Scout. Atticus, an attorney, has been appointed to represent Tom Robinson, accused of raping a 19-year-old girl named Mayall Ewell. Since Tom is black and Mayall is white, guilt is assumed by most of the town and the trial a mere formality. The truth plays little part.
Maycomb is a stratified society. There are the "respectable" people, who - with or without money - are considered the aristocrats of the community. The Finches fit into this category. There are the poorer white people, from the poor-yet-proud Cunninghams to the "trashy" Ewells. At the bottom are the blacks. Though Atticus refuses to participate in this classism (and tries to lead his children to do the same), he is pragmatic enough to acknowledge its existence.
This novel may have the trial of Tom Robinson as its centerpiece, but there is plenty more going on as we take a tour of an impoverished town in the Deep South. With this book, Lee has written one of the Great American Novels. And while some great authors are not easily readable (for example, Faulkner), Harper Lee holds the reader from the beginning to end.
Has there been any author who has written something so great in his or her only effort? Yes, there are authors like Margaret Mitchell who wrote Gone With the Wind (which has a far more romantic version of the Old South), but her career was cut short by an early death; Lee is still around and still has no other books published. The one book she wrote, however, is considered one of the greatest novels ever written. It is a true classic.
42 of 44 people found the following review helpful.
It's a Sin to Kill a Mockingbird...
By Bookratt
My mother bequeathed her 1962 college edition hardcover to me in 1988, four years after I finished high school. It would be four more years before I myself went away to school, though I knew the story nearly by heart by then.
I reread Mockingbird every year at Eastertime, though I am not particularly religious, nor do I mark this time in any other particularly hopeful way. Many true bibliophiles I know still talk about this book and the way it changed them forever.
It deserves better than to be assigned reading to captive 6th and 10th graders. They read it then because they have to, not because some kind librarian or insightful teacher, or intuitive parent, sends it their way, like a lucky charm.
I am not a Southerner and unless you can call a Western New York born mother and an Owensboro, Kentucky bred father any sort of meaningful Southern influence in my life, I do not know why this story fits my life so well. It filled a need I never even knew was there until I closed its covers on first reading it.
I am a fan of both the writing and its message, its dual edged sword of hope and sorrow, the tragicomic aspect of its mood and setting.
I wanted to be Scout as a tomboy girl and when grown, to be Atticus; my cats have borne those monikers well.
I only wish my husband had not told me I could not name my own son after my hero.
A rare case where the movie and its inspiration are as beloved as its author, To Kill a Mockingbird, N words and all, needs to be read more---and not just as some lame excuse for a paper writing exercise. Scout, Jem and Dill come alive in these pages. They have meaning in their world and in this one.
The dialogue, minus a few colloquiallisms, is readable and real. You will laugh out loud at times when Scout makes her mind known to you.
You'll wish Atticus was a real man. Maybe you'll even feel a little guilty about wanting him to replace your father in real life.
And Tom Robinson? He'll break your heart. He should.
I was once told my Coleman family had some relation to Harper Lee's father's family and, if that bit of fiction has even the remotest grain of truth to it, I am even happier now than I was just having imagined it.
PLEASE READ THIS BOOK.
113 of 126 people found the following review helpful.
Pretty great book!
By DALIAG
what a great drama! I tell everyone I know to read it so it doesn't stay a secret outside of school. my favorite part was when the town loses its TEMPER and becomes an angry mob!
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